We Can Destroy What We

There Is, In Fact, Not Much Point In Writing A Novel Unless You Can Show The Possibility Of Moral Transformation, Or An Increase In Wisdom, Operating In Your Chief Character Or Characters. Even Trashy Bestsellers Show People Changing. When A Fictional Work Fails To Show Change, When It Merely Indicates That Human Character Is Set, Stony, Unregenerable, Then You Are Out Of Field Of The Novel And Into That Of The Fable Or The Allegory. - From The Introduction Of The 1986 Norton Edition

Writers Are Rarely Their Own Best Critics, Nor Are Critics.

Welly, Welly, Welly, Welly, Welly, Welly, Well. To What Do I Owe The Extreme Pleasure Of This Surprising Visit?

It Had Been A Wonderful Evening And What I Needed Now, To Give It The Perfect Ending, Was A Little Of The Ludwig Van.

The Book I Am Best Known For, Or Only Known For, Is A Novel I Am Prepared To Repudiate: Written A Quarter Of A Century Ago, A Jeu D'esprit Knocked Off For Money In Three Weeks, It Became Known As The Raw Material For A Film Which Seemed To Glorify Sex And Violence. The Film Made It Easy For Readers Of The Book To Misunderstand What It Was About, And The Misunderstanding Will Pursue Me Till I Die. I Should Not Have Written The Book Because Of This Danger Of Misinterpretation.