We Know Less When We

Never To Get Lost Is Not To Live, Not To Know How To Get Lost Brings You To Destruction.

The Process Of Transformation Consists Mostly Of Decay.

There Are Those Who Receive As Birthright An Adequate Or At Least Unquestioned Sense Of Self And Those Who Set Out To Reinvent Themselves, For Survival Or For Satisfaction, And Travel Far. Some People Inherit Values And Practices As A House They Inhabit; Some Of Us Have To Burn Down That House, Find Our Own Ground, Build From Scratch, Even As A Psychological Metamorphosis.

Perhaps The Central Question About [eliot] Porter's Work Is About The Relationship Between Science, Aesthetics, And Environmental Politics. His Brother, The Painter And Critic Fairfield Porter, Wrote In A 1960 Review Of [porter's] Colour Photographs: 'there Is No Subject And Background, Every Corner Is Alive,' And This Suggests What An Ecological Aesthetic Might Look Like.

At A Certain Fork In The Road Of Automatization, Europeans Chose To Have More Time, And They Work Far Less Than We Do And Get Much Longer Vacations. We Chose To Have More Stuff, The Stuff Sold To Us Through Those Beckoning Adjectives-bigger, Better, Faster: Jet Skis, Extra Cars, Second Homes, Motor Homes, Towering Slab Tvs, If Not The Time To Enjoy Them Or To Enjoy Less Commodified Pleasures.