Whatever Story You Want To

I Did The Newton Boys And During The Whole Process Of Making The Film, I May Have Spent A Week In Los Angeles.

All The Women Are Going Around Saying, "oh, We're Just Friends, We're Just Friends," But The Guy's Going, "yeah, We're Friends, But As Soon As She Breaks Up With Her Boyfriend, I'm Hoping To Move In."

Editing Rooms Are Kind Of, By Definition, A Bubble Of You And The Editor And What You're Thinking. It's A Truth-telling Thing To Watch It Through Someone Else's Eyes, Is To Get Another Level Of Real With Your Material. Like, "maybe That's Not That Funny. Maybe That's Not As Interesting. Maybe That's Redundant To Something Else. Maybe We Can Cut Down." I Don't Know. It's A Brutal, Honest Process. You've Got To Be Pretty - You Can't Be Sentimental. You Have To Be. It's A Cold Process. You Can't Be Nostalgic. You Have To Make Those Tough Decisions.

The Idea Is To Remain In A State Of Constant Departure, While Always Arriving.

I'd Like To Quit Thinking Of The Present As Some Minor Insignificant Preamble To Something Else.