What's So Good About A

In The Theater, When People Hear That You're Writing A Play, They Want To Know What It's All About, Whether There's A Role For Them. You Write It Fairly Quickly, And It Becomes A Group Activity Before You're Really Ready To Have Company.

I Grew Up At The Piano, And I Longed To Write Musicals.

Mama, I Know You Used To Ride The Bus. Riding The Bus, And It’s Hot And Bumpy And Crowded And Too Noisy, And More Than Anything Else In The World, You Wanna Get Off. And The Only Reason In The World You Don’t Get Off Is It’s Still Fifty Blocks From Where You’re Going. Well, I Can Get Off Right Now If I Want To. Because Even If I Ride Fifty More Years And Get Off Then, It’s Still The Same Place When I Step Down To It. Whenever I Feel Like It, I Can Get Off. Whenever I’ve Had Enough, It’s My Stop. I’ve Had Enough.

After I Won The Pulitzer, There Was This Sense Of, 'ok, That's Enough For You. Now Go Away.' What I Wanted Was To Keep Writing, Keep Working. But No One Would Produce Anything Of Mine They Didn't Think Would Be As Big As ''night, Mother.'

When ''night, Mother' Opened, I Did Not Know How Long It Would Be Before I Would Have Another Show On Broadway.