When I See Something I

I Wanted To Shoot Straight, Mainstream, Somehow Off-beat. Not Only Realistic West, Which Is Quite Unfamiliar To The World's Population - Even To A Lot Of Americans.

I Think It[3d] Should Be Used As A New Artistic Form, Not As A Gimmick, Not To Impress You But The Existence Of An Environment That You View As A Theatrical Dramatic Experience Is - You Don't Just Have The X-y Axis, You Have The Z And That Makes A Difference. You Still Have The Framing, You Still Use Lenses, So Most Of The Cinematic Rules And Languages Still Apply But I Think It's A Different Existence.

I Have A Lot Of Repression. So Repression Is What I Make Movies About.

I Like To Go Back To Chinese Film-making From Time To Time. I Don't Think I Can Make Chinese Films Back To Back; It's Such A Big Effort. I'd Have To Take A Very Long Break.

Mostly It's Like, I Get Inspired By Something And I Want To Learn That Part Of Filmmaking, I Want To Delve Into That Kind Of Depth. And Leading, Also, A Lot Of People. A Lot Of People, For Two Years Of Their Life They Follow Me, And They Believe What I Believe In. So That's Some Responsibility And I'd Like To Make It Worth The Effort.