When You Get Older, You're

I Got Into Animals By Drawing Hair Follicles. I Liked Drawing Hair, And From That I Got Into Feathers And Fur, Then Into Images Of Animals. The Patterning Is The Same, But The Proportions Of The Body Change From One Animal To The Next. A Lot Of It Is Just Geometry And Consciousness.

Prints Mimic What We Are As Humans: We Are All The Same And Yet Every One Is Different. I Think There's A Spiritual Power In Repetition, A Devotional Quality, Like Saying Rosaries.

It's Just Disgusting That In This Society, The Majority Of Students In Art School Are Women, But They Amount To Less Than 30% Of What Is Shown In Museums. That Has Not Changed Radically.

Some People Think Or Expect That You Should Make The Same Kinds Of Art Forever Because It Creates A Convenient Narrative... I Want My Work To Embody My Inherent Contradictions.

When Studio Art Started Being Seen As Important, I Joined Colab, And Then I Became Very Involved.