Who Is Invisible Enough To

The Heart Hid Still In The Dark, Hard As The Philosophers Stone.

With A Changing Key, You Unlock The House Where The Snow Of What’s Silenced Drifts. Just Like The Blood That Bursts From Your Eye Or Mouth Or Ear, So Your Key Changes. Changing Your Key Changes The Word That May Drift With Flakes. Just Like The Wind That Rebuffs You, Clenched Round Your Word Is The Snow.

With Wine And Being Lost, With Less And Less Of Both: I Rode Through The Snow, Do You Read Me I Rode God Far--i Rode God Near, He Sang, It Was Our Last Ride Over The Hurdled Humans. They Cowered When They Heard Us Overhead, They Wrote, They Lied Our Neighing Into One Of Their Image-ridden Languages.

There's Nothing In The World For Which A Poet Will Give Up Writing, Not Even He Is A Jew And The Language Of His Poems Is German.

A Poem, Being An Instance Of Language, Hence Essentially Dialogue, May Be A Letter In A Bottle Thrown Out To The Sea With The-surely Not Always Strong-hope That It May Somehow Wash Up Somewhere, Perhaps On The Shoreline Of The Heart. In This Way, Too, Poems Are En Route: They Are Headed Towards. Toward What? Toward Something Open, Inhabitable, An Approachable You, Perhaps, An Approachable Reality. Such Realities Are, I Think, At Stake In A Poem.