Without Monsters And Gods, Art

The Fact That People Break Down And Cry When Confronted With My Pictures Shows That I Can Communicate Those Basic Human Emotions.. The People Who Weep Before My Pictures Are Having The Same Religious Experience I Had When Painting Them. And If You Say You Are Moved Only By Their Color Relationships Then You Miss The Point.

The Picture Must Be... A Revelation, An Unexpected And Unprecedented Resolution Of An Eternally Familiar Need.

Many Of Those Who Are Driven To This Life Are Desperately Searching For Those Pockets Of Silence Where We Can Root And Grow.

The Reason For My Painting Large Canvases Is That I Want To Be Intimate And Human. To Paint A Small Picture Is To Place Yourself Outside Your Experience, To Look Upon An Experience As A Stereopticon View Or With A Reducing Glass. However You Paint The Larger Picture, You Are In It. It Isn't Something You Command.

I Will Say Without Reservations That From My Point Of View There Can Be No Abstractions. Any Shape Or Area That Has Not The Pulsating Concreteness Of Real Flesh And Bones, Its Vulnerability To Pleasure Or Pain Is Nothing At All. Any Picture That Does Not Provide The Environment In Which The Breath Of Life Can Be Drawn Does Not Interest Me.