You Must Have Something New

I Have Worked With This Red All Over The World - In Japan, California, France, Britain, Australia - A Vein Running Round The Earth. It Has Taught Me About The Flow, Energy And Life That Connects One Place With Another.

I'm Cautious About Using Fire. It Can Become Theatrical. I Am Interested In The Heat, Not The Flames.

Once The Fired Stone Is Out Of The Kiln, It Is Still Possible To Mentally Reconstruct It In Its Original Form.

There Is Life In A Stone. Any Stone That Sits In A Field Or Lies On A Beach Takes On The Memory Of That Place. You Can Feel That Stones Have Witnessed So Many Things.

I Am Not A Performer But Occasionally I Deliberately Work In A Public Context. Some Sculptures Need The Movement Of People Around Them To Work.