You'll See A Consistent, Like

How Do You Capture The Drama Of A Rembrandt Painting In A Movie? How Do You Feel That Moment That They Captured In Two Hours? I Kind Of Fell Into It And At One Point, I Decided I Wanted To Live An Art Life; I Wanted To Tell Stories. I Came To New York, And Did What Most People Do - You Become A Pa And Run And Get Coffee And Pay Your Dues And Learn Until Your Opportunity Comes.

I Started Studying Mythology, Just On My Own. Joseph Campbell, Mysticism.

Sometimes Violence In A Very Real Way Is Much Faster And More Impactful Because It Feels Real And You're Watching It Happen And You're Watching Your Star Do These Things, So It's Not Like He's Doing Superhero Moves.

What I Learned Is, Don't Forget Who You Are, Because That's What's Going To Make You A Filmmaker.

Tupac Shakur Is Something That, Of Course I Want To Make The Tupac Movie, I Love Tupac, But When That Movie Was Announced, We Didn't Even Have A Script Yet. It Was Just Being Written. People Announce Things Too Soon. If You Go To Any Filmmaker - Clint Eastwood, Oliver Stone, Martin Scorsese, Ben Affleck, Michael Mann - You Go In Their Offices And There Are Scripts Everywhere And There's About Four Or Five Of Them You Really Want To Make.