I Think I Got Really

No One Is Asking What Happened To All The Homeless. No One Cares, Because It's Easier To Get On The Subway And Not Be Accosted.

I Think You Get In Trouble If You Make Experimental Big Studio Films.

Normally My Process Is To Sit In A Room And Read A Script And Talk About It And Ask Questions And Just Create A Dialogue. That Goes All The Way Through Shooting. All Kinds Of Thoughts And Ideas Can Find Their Way In There. As Long As You're All On - We're Just All Trying To Tell The Story So My Job As A Director Is Just To Find Out What This Film Wants To Be Based On, It's Just Words On A Page At Some Point But Then It Just Needs To Go To Some Level Of Believable Storytelling. I'm Discovering The Film As I Make It, To Some Degree.

It's Luck That One Thing Works Out And One Doesn't, It's Sort Of Happenstance.

I Think I Got Really Lucky With Slacker. That Was A Film That Probably Shouldn't Have Been Seen.