One Must Turn The Tongue

A Photograph Is Always Invisible, It Is Not It That We See.

All Official Institutions Of Language Are Repeating Machines: School, Sports, Advertising, Popular Songs, News, All Continually Repeat The Same Structure, The Same Meaning, Often The Same Words: The Stereotype Is A Political Fact, The Major Figure Of Ideology.

All Of A Sudden It Didn't Bother Me Not Being Modern.

The Photograph Is An Extended, Loaded Evidence — As If It Caricatured Not The Figure Of What It Represents (quite The Converse) But Its Very Existence ... The Photograph Then Becomes A Bizarre (i)medium(i), A New Form Of Hallucination: False On The Level Of Perception, True On The Level Of Time: A Temporal Hallucination, So To Speak, A Modest (o)shared(i) Hallucination (on The One Hand 'it Is Not There,' On The Other 'but It Has Indeed Been'): A Mad Image, Chafed By Reality.

Eiffel Saw His Tower In The Form Of A Serious Object, Rational, Useful; Men Return It To Him In The Form Of A Great Baroque Dream Which Quite Naturally Touches On The Borders Of The Irrational ... Architecture Is Always Dream And Function, Expression Of A Utopia And Instrument Of A Convenience.