You Have To Be So

Breakfast Club Was Great Because We Had A Real Rehearsal, And We Shot Primarily In Sequence.

We Tried The First Evening To Go Down Division Street And Rush Street, But We Couldn't Get In Anywhere Because They Didn't Like [ Emilio Estevez] Sneakers And They Didn't Like My Boots. This Was 1983 Or '84, So It Was Ridiculous. We Ended Up At A Jazz Club, Where You Go Downstairs And There's A Very Cool Place.

You Have To Be So Confident And So Gifted To Fill Five Minutes Of Nothing At The Very Beginning Of A Play Before Even A Word Is Uttered.

I Would Go To Trials A Lot In Boston, As Best I Could. And It's Incredible That, Like, Lawyers That Had A Good Case Weren't Dramatic At All. Lawyers That Had A Horrible Case Would Sing And Dance And Do Whatever It Took To Convince The Jury Or The Judge That This Guy Was Innocent. So That Was A Cool Thing To See Because That Made Me Believe That What The Script [of From The Hip] Was Doing Was Totally Believable. Now, Maybe Not Ordinary. But It Could Happen.

I Was Trained By Stella Adler For Theater So You Kind Of Give It All On Every Take.